{"id":3225,"date":"2024-08-09T01:02:33","date_gmt":"2024-08-08T22:02:33","guid":{"rendered":"https:\/\/wansait.com\/nicuilie\/?p=3225"},"modified":"2024-08-09T01:02:33","modified_gmt":"2024-08-08T22:02:33","slug":"peisaje-in-cautarea-unui-autor","status":"publish","type":"post","link":"https:\/\/wansait.com\/nicuilie\/peisaje-in-cautarea-unui-autor\/","title":{"rendered":"Peisaje \u00een c\u0103utarea unui autor"},"content":{"rendered":"\n

\u00centotdeauna, peisajul mi s-a p\u0103rut extrem de generos ca substan\u021b\u0103 plastic\u0103. Nu e animat de nicio idee, dar (poate) sus\u021bine o gam\u0103 aproape infinit\u0103 de idei. Nu poate fi rezumat \u00eentr-un concept, dar se las\u0103 turnat \u00een orice fel de concepte. Peisajele exist\u0103 independent de noi, dar nu \u0219i peisajele fantastice – \u0219i nici m\u0103car micile peisaje \u201ede \u00eencadratur\u0103\u201d. Noi – ochii no\u0219tri – venim cu propria estetic\u0103 \u0219i, \u00eentoars\u0103 asupra noastr\u0103 prin reflexia ca-\u0219i-obiectiv\u0103 a peisajului, ne \u00eenc\u0103rc\u0103m de m\u0103re\u021bia propriilor noastre gusturi \u0219i valori, transpuse la o scar\u0103 geologic\u0103 sau la eoni de evolu\u021bie biologic\u0103.<\/p>\n\n\n\n

Este un amestec de static \u0219i dinamic ceea ce ochiul meu caut\u0103 \u00eentotdeauna \u00eentr-un peisaj. Sau, \u0219i mai abstract, o tensiune \u00eentre linii \u0219i curbe. Cromatica se reduce \u0219i ea la mase solide care, \u00eencorpor\u00e2nd o mi\u0219care, o solidific\u0103 totu\u0219i, iar asta altereaz\u0103 rela\u021biile temporale. Iar asta este cheia.<\/p>\n\n\n\n

Aparent, o fotografie sau un tablou sunt lipsite de coordonata timpului. O fotografie sau un tablou sunt atemporale. Totul este solidificat pentru totdeauna. Un personaj n-o s\u0103-\u0219i \u00eencheie pasul \u0219i n-o s\u0103-\u0219i \u00eenchid\u0103 ochiul \u00een clip\u0103. Niciodat\u0103. Ce nu s-a \u00eencheiat, \u00eentr-o fotografie, n-o s\u0103 se \u00eencheie niciodat\u0103 \u0219i ce n-a \u00eenceput n-o s\u0103 \u00eenceap\u0103. Dar peisajul tocmai asta face – pentru mine – aduce dinamica timpului: prin mun\u021bii sau dealurile v\u0103lurite, o curgere istoric\u0103, la ere de neimaginat. Totul e fluid, valurile unei ape ca \u0219i v\u00e2rfurile unor mun\u021bi. Nimic nu se mi\u0219c\u0103 \u00eentr-o fotografie, dar totul e \u00een mi\u0219care. Iar mi\u0219carea, s\u0103geata timpului, o simt cum se \u00eenfige \u00eentr-un peisaj. Ceea ce r\u0103m\u00e2ne \u00een \u00eenghe\u021barea unei fotografii, \u00een imortalizarea unui moment, este timpul t \u00een care v\u00e2ntul trece prin frunze cu propria vitez\u0103, valul se sparge de mal cu o alta, falezele se pr\u0103bu\u0219esc cu o alt\u0103 vitez\u0103, invizibil\u0103, iar continentele curg unele peste altele, ca tsunamiuri inimaginabil de lente ale c\u0103ror v\u00e2rfuri sunt mun\u021bii. Tot acest repertoriu de viteze se compune \u00eentr-un peisaj. Iar c\u00e2nd apar oamenii – chipuri, siluete, umbre – sau obiectele lor sau animalele lor antropomorfizate sau pur \u0219i simplu resturile ac\u021biunilor lor, peisajul nu doar adaug\u0103 o nou\u0103 gam\u0103 de viteze, ci \u0219i un alt repertoriu de estetici \u0219i valori.<\/p>\n\n\n\n

\u00cens\u0103, nimic din toate acestea nu este vizibil la prima vedere. Totul este sensibil, dar nimic vizibil. Aparent, totul se reduce la linii \u0219i curbe, la mase amorfe \u0219i la vectori. Acum l\u0103s\u00e2ndu-m\u0103 pe mine la o parte \u0219i f\u0103c\u00e2nd abstrac\u021bie de ce v\u0103d eu \u00eentr-o poz\u0103 sau \u00eentr-un peisaj \u201enatur\u201d, ceea ce face ca un peisaj s\u0103 includ\u0103 dram\u0103 \u0219i poveste, s\u0103 aib\u0103 intrig\u0103 \u0219i s\u0103 st\u00e2rneasc\u0103 interes, s\u0103 fie exemplar – uimitor, fantastic, extraordinar, nemaiv\u0103zut – este tensiunea dintre haotic \u0219i ordonat. Sau, altfel spus, dintre uman \u0219i marea gam\u0103 de non-uman (metauman, celest, pre-\/postuman, oricum v\u0103 place).<\/p>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u00centotdeauna, peisajul mi s-a p\u0103rut extrem de generos ca substan\u021b\u0103 plastic\u0103. Nu e animat de nicio idee, dar (poate) sus\u021bine o gam\u0103 aproape infinit\u0103 de idei. Nu poate fi rezumat \u00eentr-un concept, dar se las\u0103 turnat \u00een orice fel de concepte. Peisajele exist\u0103 independent de noi, dar nu \u0219i peisajele fantastice – \u0219i nici m\u0103car micile peisaje \u201ede \u00eencadratur\u0103\u201d. Noi […]<\/p>\n","protected":false},"author":1,"featured_media":3226,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2],"tags":[4096,1550,4091,4095,4071],"class_list":["post-3225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-multilateralitate","tag-arta-contemporana","tag-fotografie","tag-grafica-digitala-2","tag-opere-proprii","tag-peisaje"],"jetpack_featured_media_url":"https:\/\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/08\/Peisaj-urban-Intre-lacuri.webp","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa83eN-Q1","jetpack-related-posts":[{"id":3121,"url":"https:\/\/wansait.com\/nicuilie\/peisaje-rurale-galerie-de-lucrari\/","url_meta":{"origin":3225,"position":0},"title":"Peisaje rurale (galerie de lucr\u0103ri)","author":"Nicu Ilie","date":"iulie 14, 2024","format":false,"excerpt":"Lucr\u0103ri din mai multe serii - grafic\u0103 digital\u0103, fotografie (f\u0103r\u0103 interven\u021bii), fotografie (editat\u0103). Peisajul rural este, de regul\u0103, privit prin antitez\u0103 cu ora\u0219ul. Pentru mine aceast\u0103 antitez\u0103 se traduce ca un conflict al geometriilor, al dominantelor geometrice. Peisajul rural este locul de contact (\u0219i uneori al unui conflict latent) \u00eentre\u2026","rel":"","context":"\u00cen \u201eArta grafica\u201d","block_context":{"text":"Arta grafica","link":"https:\/\/wansait.com\/nicuilie\/category\/multilateralitate\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/07\/Ceata-in-Carpati.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/07\/Ceata-in-Carpati.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/07\/Ceata-in-Carpati.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/07\/Ceata-in-Carpati.webp?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/07\/Ceata-in-Carpati.webp?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":3083,"url":"https:\/\/wansait.com\/nicuilie\/geologie-magica\/","url_meta":{"origin":3225,"position":1},"title":"Geologie magic\u0103","author":"Nicu Ilie","date":"iunie 15, 2024","format":false,"excerpt":"Valorile estetice se schimb\u0103 permanent, nu doar substan\u021ba lor, ci \u00eensu\u0219i statutul lor. \u00cen analiza sa asupra artei medievale, Gombrich observ\u0103 centralitatea unei valori azi c\u0103zut\u0103 \u00een uitare: gra\u021bia. Ea este opus\u0103 frumosului, valoare modern\u0103 (post-renascentist\u0103), care, \u00een teorie, \u00eenc\u0103 guverneaz\u0103 arta contemporan\u0103. Dar chiar \u0219i gra\u021bia noteaz\u0103 un moment\u2026","rel":"","context":"\u00cen \u201eArta grafica\u201d","block_context":{"text":"Arta grafica","link":"https:\/\/wansait.com\/nicuilie\/category\/multilateralitate\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/DSC07762.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/DSC07762.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/DSC07762.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/DSC07762.webp?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/DSC07762.webp?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":3255,"url":"https:\/\/wansait.com\/nicuilie\/peisaje-urbane\/","url_meta":{"origin":3225,"position":2},"title":"Peisaje urbane (galerii de lucr\u0103ri)","author":"Nicu Ilie","date":"august 22, 2024","format":false,"excerpt":"Imaginea este din Sibiu, de acum c\u00e2\u021biva ani. Office Cartier muncitoresc Cartier in lucru Filtru estival Fresh Paint Metropolis BW Corrida Mirror Impresie - furtuna AI Night in the city Intre ziduri Ora\u0219ele sunt, probabil, forma de via\u021b\u0103 cea mai dinamic\u0103 \u0219i cu cea mai spectaculoas\u0103 evolu\u021bie. Dac\u0103 nu ne\u2026","rel":"","context":"\u00cen \u201eArta grafica\u201d","block_context":{"text":"Arta grafica","link":"https:\/\/wansait.com\/nicuilie\/category\/multilateralitate\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/08\/Metropolis-1.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/08\/Metropolis-1.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/08\/Metropolis-1.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/08\/Metropolis-1.webp?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/08\/Metropolis-1.webp?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":3041,"url":"https:\/\/wansait.com\/nicuilie\/grafica-digitala-pixopictura\/","url_meta":{"origin":3225,"position":3},"title":"Grafic\u0103 digital\u0103: Pixopictura","author":"Nicu Ilie","date":"iunie 9, 2024","format":false,"excerpt":"\u00cen 2011-2012, profit\u00e2nd de criza economic\u0103 ce aducea mai pu\u021bine comenzi comerciale \u00een zona de grafic\u0103 \u0219i de media, am avut ceva timp liber. Atunci am \u00eenceput mai multe serii de lucr\u0103ri \u00een diverse tehnici digitale. Pixopictura \u201ePixopictura\u201d a \u00eencercat s\u0103 creeze un mix de expresie vizual\u0103 \u00eentre tehnicile fotografice,\u2026","rel":"","context":"\u00cen \u201eArta grafica\u201d","block_context":{"text":"Arta grafica","link":"https:\/\/wansait.com\/nicuilie\/category\/multilateralitate\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/042-scurta-calatorie-in-timp.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/042-scurta-calatorie-in-timp.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/042-scurta-calatorie-in-timp.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2024\/06\/042-scurta-calatorie-in-timp.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1808,"url":"https:\/\/wansait.com\/nicuilie\/apus-de-soare-dupa-blocurile-gri\/","url_meta":{"origin":3225,"position":4},"title":"Apus de soare dupa blocurile gri","author":"Nicu Ilie","date":"ianuarie 5, 2012","format":false,"excerpt":"Lucrarea face parte dintr-o serie de opere digitale in care am incercat noi modalitati de valorificare a vechilor pictori romani, prin mixajul tusei lor in opere postmoderne, capabile sa comunice simplu si rapid omului de azi. In Apus de soare dupa blocurile gri am utilizat tuse impresioniste din peisaje si\u2026","rel":"","context":"\u00cen \u201ePixopictura\u201d","block_context":{"text":"Pixopictura","link":"https:\/\/wansait.com\/nicuilie\/category\/digital-art-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/wansait.com\/nicuilie\/wp-content\/uploads\/2012\/01\/Grey-sunset.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2851,"url":"https:\/\/wansait.com\/nicuilie\/portretul-unei-opere-arta-lui-sorin-ilfoveanu\/","url_meta":{"origin":3225,"position":5},"title":"Portretul unei opere: arta lui Sorin Ilfoveanu","author":"Nicu Ilie","date":"ianuarie 10, 2023","format":false,"excerpt":"Perfect coerent, stilul lui Ilfoveanu din ultimele decenii este, \u00een sine, o evolu\u021bie. Elevul lui Baba, studentul la Arte plastice din anii 1970 se retrage treptat din lucr\u0103ri, dar f\u0103r\u0103 a disp\u0103rea: el se repliaz\u0103 \u00eentr-un univers mai profund al desenului \u0219i picturii, un univers \u00een care canonul estetic, dimensionat\u2026","rel":"","context":"\u00cen \u201eRecomandari\u201d","block_context":{"text":"Recomandari","link":"https:\/\/wansait.com\/nicuilie\/category\/recomandari\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/sQQdmJRlQv8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/posts\/3225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/comments?post=3225"}],"version-history":[{"count":1,"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/posts\/3225\/revisions"}],"predecessor-version":[{"id":3251,"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/posts\/3225\/revisions\/3251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/media\/3226"}],"wp:attachment":[{"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/media?parent=3225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/categories?post=3225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wansait.com\/nicuilie\/wp-json\/wp\/v2\/tags?post=3225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}